I speak highly of Pensacon for a reason. There is something about this show, well, there are a lot of some things about this show. Do not get me wrong, all of the shows I do repeatedly year after year mean something to me, but they are all different and unique. Mike Ensley and his team make an amazing show and a wonderful con to be a guest at. The attendees are great and are always super excited and happy to be at the con. The returning artist family continues to grow, and seeing them every year is such a treat! Pensacon stands out as the start of the convention season for me and sets the pace for the rest of the year. And if Pensacon was any indication for the year, it is going to be a crazy, fun time.
When I returned to Pensacon post-COVID, I did not know what to expect, and what I found was my sales more than doubled from 2020 to 2022. I assumed it was a fluke, but my sales were slightly higher in 2023. That was, of course, a fluke as well. Then we come to 2024, and sales have doubled from 2022. I had my single best day yet at a convention and the best total sales at any convention to date. I also sold an original for more than I have ever sold a piece of art. What does this all mean? I have no idea. But I know I need to get my second book finished! People want more!
Besides record sales, there was a singular moment for me at Pensacon this year, and that would be the Buffy the Vampire Slayer and Angel Q&A panel that I was on with James Marsters and Charisma Carpenter. For years, I believed it would make for a good panel if you had cast and crew together talking about the same projects from their respective viewpoints... and it turns out I was right. I had SO much fun! James and Charisma were welcoming, and we had loads to share. I brought the few remaining artifacts from my time on Buffy and Angel, and the crowd went wild. I will be honest, LA was very hard. It took a lot to live and work out there, and at times, it felt like everything was working against us, especially some of the people I worked with. At times, I found myself in very hostile working conditions. This is something I haven't really spoken publically about, and one I will continue to leave vague as much as I can. This is not the time for that whole conversation. But I would like to say that being on this panel has brought me so much closer and peace with what I went through out there. I am in a really good place now, and my memories of LA and working in the film industry are a whole lot brighter.
I launched the Kickstarter for my book at Pensacon in 2020, and to continue to return there and to have more and more people telling me how much they enjoyed it, how much it means to them, and how excited they are for book two means more than I will ever be able to express. It is wild to be selling a book to
We focused on the con during the day and ourselves in the evening. We didn't have any late nights or big adventures this year, and I was fine with it. It is better to miss out on a few things and to be rested and ready for a long day at the booth. We had meals with wonderful friends and saw so many familiar faces. From start to finish, this was an amazing Pensacon and one that will be hard to top. Again, thank you to Mike Ensley, Julio Diaz, Lemmie Crews, Roland Paris, Mark Maddox, Steve Wise, and way too many others (sorry that I am not mentioning you all) for making Pensacon so wonderful for the both of us. Here are some photos and additional thoughts.
That is all for another exciting Wednesday on the blog. See you back here on Friday! Until then...
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