Showing posts with label Camden Toy. Show all posts
Showing posts with label Camden Toy. Show all posts

Friday, November 15, 2024

From the Archives: Ubervamp (Turok-Han) - Buffy the Vampire Slayer Season 7

Today, I have a monster I worked on for season seven of Buffy the Vampire Slayer. This particular monster appeared in multiple episodes throughout the seventh season. I worked on each of its appearances, including the series finale, where the Scobby Gang fought an army of them. This one was a very big deal as it was the main physical threat to the world controlled by the First. And since it was a big deal, there were a lot of hands involved, and we received a lot of opinions.

Before I go any further, I must remind everyone that this work is a collaboration of many skilled artists and technicians. I was one of many who brought these monsters to life, but this time around, I was present at all stages, but my focus was on the design work, paint and finish, and set crew. After twenty-plus years, I cannot properly give credit to everyone else involved. Sorry, but people's names were the first to go after I left LA.

As I said, this one was a big deal to to the show, and the writers, producers, money people, more money people, Joss, and anyone else available were giving input for how this thing should look. If I remember correctly, going into this, no one had any ideas for what this thing should look like. But they were quick to tell us everything that it didn't look like - and that would have been all of our designs. Eventually, we got there, but not after a lot of work. Typically, early in the season, if there was a solitary Ubervamp or a close-up of a hero makeup, that would be Camden Toy. Camden was an amazing suit performer, actor, and friend. I treasure my memories of working with him. Eventually, the Ubervamps would be played by extras and stunt performers, but all the hero shots are Camden. My work on this one is all over the place, too. I did do some design work, sorta - I will explain below, a bit of shop work and a TON of painting. I painted so many of these masks and makeups. The on-set makeup artists got a little wacky sometimes, but that was to be expected. Here are shop images, set images, and more for the mighty Ubervamp.

This is the hero photo of Camden in the full makeup that the boss took on the first day of shooting. I cleaned up the photo and got it ready for promotion, and it ended up being used everywhere. Camden wore silicone makeup, but all the stunt performers and extras wore foam latex.

I said I did do some design work. And here it is!
While on the set of Angel, as an episode of Firefly was on the TV in the makeup trailer, I got a call from the boss to start designing the 'Uber Vampire' while I was working on the set that night. So, that is what I did. I found some paper, and I had some pencils and markers with me, and I got to work. Mind you, I received little to zero input on what I was supposed to be doing. I was told to start drawing, and that is what I did. I did these crude warm-up drawings while on set, working with some other monster. I was trying to figure out what an 'Uber Vampire' looked like, but it wasn't this.

And it wasn't this either.
I wish I had had more time... I would have liked to have had any time to work on these. I was given brief moments on set doing my job to come up with these. The funny thing is, if this was presented to me now, I wouldn't think anything about it; I would start drawing and would likely come up with something neat in quick work. But this was twenty-two years ago, and I didn't have the skills yet to pull that off, so we have these scribblings.

These two were never even finished.
I did as much as I could on set, and by the time I was back in the shop the next day, things had long since passed me by, with the shop's AD taking the lead. He had over a day's lead on me by now, and I had a couple of crude sketches. I fell back to support and processed and prepped his work as fast as he could make it.
If anyone is interested, I still have all of these drawings.

One thing I did design was the Ubervamp's contacts.
The final lenses didn't look like these at all (I think they just used stock lenses), but I designed something to completion, at least. I think these would have been fun, but alas, it wasn't meant to be.

I did say that I was responsible for some painting.
These are the background makeups and masks for the final episode of Buffy the Vampire Slayer. It felt like I was working on these day and night, and I was. There were a bunch of us seaming and patching the heads and hands, and then I would paint them.

And here is me from the distant past with the things I painted.
I miss that shirt.

Here is an early version of the Ubervamp. I do not recall the sculptor, but I think this version would have been great. It feels different and unique, but that is likely why they hated it.

Here are some more sculpt variations.
At the end of the day, they had loads of issues with the nose, and they freaked out about anything that wasn't a normal nose... on a vampire... and was UBER. Again, the sculptor is unknown.

Now for some more Camden love with set pics!

GRRRRR ROAR! I'm a monster!

Ubervamp has had a bad day, Ubervamp needs to lay down.

Lastly, here are some set pics with the Ubervamp army. A mix of masks and makeups, and on set, the masks always migrated up close to the camera for some reason. These were all painted the same, but as I said before, the makeup artists took a lot of liberties with these and went WAY off the style guide way too often. Oh well, nothing to be done about it now. RAWR!

That's all for another exciting week on the blog. See you back here next week! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Thursday, December 14, 2023

Remembering Camden Toy

Last week, I learned that a friend of mine in Los Angeles has been secretly battling cancer since 2020. While I completely support anyone's decision with what they share and do not share, especially about health matters, this came as a shock. He was no longer able to comminicate, so the annocument was made on his behalf and to let people know that he was near the end. A few days ago, he passed and is no longer in pain. 

I met Camden Toy while living and working in special makeup effects. The first monsters I design for Buffy the Vampire Slayer was the Gnarl demon for season 7. The actor to play the roll was Camden, and he soon became a frequnt visitor to the shop. He was kind, gernous, feriendly, funny, and an all around amazing human. This, this is all just so horribly sad. He was truly a good person. I had the pelasure to design several of the monsters he portrayed. Near the end of my time in LA, I was lucky enough to apply his makeup for a movie, while in my own makeup for the same movie, and then we got to run around and play zombies in the movie together. I have some really nice memories of Camden, but for now, I need to hold them close.

Makeup design by me/portrayed by Camden Toy

Makeup design by me/portrayed by Camden Toy

Makeup design for both by me/Camden's makeup application and paint work by me

That is all for today. See you back here tomorrow. Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Friday, July 14, 2017

Looking Back - Prince of Lies - Angel Season 5

I was recently reminded of work that I did back in 2003 when I was working in Los Angles. The work I am speaking of is the Prince of Lies from season 5 of Angel, episode 13 - Why We Fight. I have never shared anything related to the Prince of Lies on blog before, so this seemed like as good a time as any. The Prince of Lies was played the most excellent Camden Toy, who I was lucky enough to work with several times as well as to get to know him in regular life. Here is how the Prince of Lies appeared on screen...

Prince of Lies from season 5 of Angel, episode 13 - Why We Fight

My main involvement with the Prince of Lies was to design him. He was described as a VERY old Nosferatu like vampire. I had begun a drawn version of my design, but I was not allowed to proceed and was forced to create my design in Photoshop as a photo collage. I worked on this design right in the middle of my photo collage days in the industry, the powers that be kept me from drawing as much as they could and forced me to make these 'photo real' designs. This of course did wonders for my drawing skill set and my self esteem. All things considered, this designed turned out okay. Looking at it now I would definitely have approached some things very differently - less egg headed, my brow detail and wrinkles, pushing and pulling various other areas. But in the end it got the job down so I have to consider it a win. Here is my design for the Prince of Lies...

Prince of Lies Concept Design
8.5 x 11 - Digital
© 2003 Almost Human

The design was created over a head shot of Camden to insure that there would be no surprises moving forward with producing the makeup. The design was approved, as far as I remember, without issue or notes from production. There were some in house changes that were planned though. The teeth were not being well received by the boss for one thing, though I thought they were working and Camden would have fun with them. There were other little tweaks and changes that are to be expect with the translation of the design into something real. Here is the sculpture for the face piece of the Price of Lies...

Prince of Lies face sculpt

All in all the sculpture for the face stayed true to the feeling of the design. I would have loved to see some of the anatomy to be pushed and pulled a bit more to better follow the design, but that is not my call and it worked, so why change it. I unfortunately have forgotten who the scuplture on this piece was. If I remember correctly the cowl for this makeup was a already existing piece so the only new elements were the face and the teeth. Here is a look at the finished painted makeup pieces...

Prince of Lies face piece and cowl makeup appliances

For some reason I thought I painted these... but looking at them now I honestly can not remember. We did SO much work all at the same time, many of the pieces began to blend together. I painted so many monsters that sometimes I figure I should assume I painted it if I still have photos of the paint job. Each of us in house that painted had our own style and tell tale marks that gave us away. This one looks to be mine, though some of the vein work looks a little off from what I did. This is mostly because I was asked to put them in after I had started working on it.

Note how dead the base makeup pieces look. After all they are just pieces of foam latex. Now see how these pieces of foam latex transform in a second skin once applied to an experienced actor who knows how to perform in makeup. Here an many images of Camden Toy on set as the Price of Lies...

Prince of Lies performed by Camden Toy on set
All image © 2003 Almost Human

I loved the transformation of a human into a monster with makeup. It was not always as rewarding, some people just did not know what to do with the makeups, but Camden is a pro and creates such amazing performances.

Now jump ahead fourteen years. I was recently contacted if I would sign a trading card of the Prince of Lies due to my involvement creating him. I was of course happy to do so. I happen to also whip up a little sketch of the Prince of Lies too. He's gonna get you! RAWR!

Prince of Lies trading card (before signing it) and Prince of Lies sketch card

That is all for another exciting week on the blog, see you back here on Monday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Wednesday, April 7, 2010

Bloated Choppers - my life as a zombie

Felt like switching it up this morning. I am in the middle of several projects which are all screaming for my attention. I thought something fun (for me at least) was in order for the blog today...

I bring you a look back at my life as a zombie named Bloated Choppers on the set of All Souls Day: Dia de los Muertos. I'm in the credits! You can check and see that they misspelled my name... again... You might remember seeing a photo of me as the zombie before but I have some images I have never shared.

RAWR! I'm a ZOMBIE! I was responsible for the design, paint work and performance.

The zombie I was portraying was invisioned as having been a drowning victim that floated around for a while becoming swollen and rotten before being reanimated. Fun times! I worn lip retracters most of the time while in the makeup to give the proper look. By the end I got so use to pulling my lips back that I could do it without the retracters. I also usually had a mouth full of black cake icing to add to the drooling wreck that was my zombie face.

Two zombies are better then one! RAWR!

I am pictured above with my friend Camden Toy, I worked with Camden on both Buffy the Vampire Slayer and Angel. It was nice to be in front of the camera with him for once. On the last day of shooting I was able to do Camden's makeup (pictured above) and if that isn't enough, I did it while in my makeup.

Danny Trejo RAWR!

YES! The actual real life Danny Trejo. He was totally awesome to work with and a cool guy that has seen and done a lot in his life. He had a million stories and was ready for the camera on a moments notice. A real pleasure to be able to say I worked with Danny.

OM NOM NOM NOM NOM NOM RAWR!

Spoiler alert! I eat people as a zombie. I also did all my own stunts and go shot a couple of times. There is even a little thing about me in the extras on the DVD if you are so inclined to watch it.

He coming to get you, Barbara...

I spent my 3oth birthday on the set of All Souls Day: Dia de los Muertos as Bloated Choppers and would not change that for anything.

That is it for today. As long as all goes according to plan I will be back here on Friday with something new! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com