Friday, September 24, 2021

Custom Display Stands - Part 2

One of the four modular print displays that I designed and built

Last week I shared with you the first of two posts covering the design and construction of new custom print displays for my convention setup. As mentioned in the first post, I spent a lot of time designing, planning, and prepping for the construction of the displays. I didn't want to leave anything up to chance, which was one of the main reasons I created the cardstock mockup of the display. With everything planned and squared away, I purchased the wood and hardware, and it was time to finally build these much-needed displays. 

This past weekend, I set aside the time and got to work. I typically shy away from these sorts of endeavors (for a myriad of reasons that I will not get into today). Still, after all options were exhausted to purchase or customize an existing display, I was left with building my own as the only avenue forward. In the end, making the displays I needed was the only real option, which took time to accept. I lived with the cardstock mockup for several weeks to think about it, make sure it was what I needed, and it was able to do everything I could ever need for the foreseeable future. Sometimes it takes time to process a project and mentally prepare for it. By the time this past weekend rolled around, I was confident that it was only a matter of going through the motions to see them completed. Much to my delight, I was correct. The first thing I did was cut all the wood into the components to make the four displays.

The most consistent length needed was 25", so I made sure to start with a perfect 25" board and then based all other cuts and measurements on that first ideal board. It did not fail me, and everything came out uniform and consistent. 
 
Once the boards were all cut, it was time to build. I concentrated on a single display at first, making sure all the measurements and planning were correct. Some things had to change and needed to be modified as I went, but that was expected. My mockup was cardstock, and I was not working in wood and the thickness of the material needed to be taken into account once the final construction was happening. This is the basic form, a two-tier shelf.
 
One of the main features of these modular displays is that the supports for the top tier need to be removable. This not only helps them be more practical, but it also makes them easier to transport. Once all the supports were cut, I clamped them together and marked out where the bolts would go, and drilled them all at once. This ensures that they are all uniform and interchangeable. The last thing I need is for them to be paired with a specific display. That would make setting up a nightmare.
 
The back of the display was always going to have a little foot. This is due to standard board sizes and the fact that I did not want to sheer off the extra for each board. The foot also allows a more significant footing for the entire display. It turned out that I over purchased some of the smaller boards and Dear Wife suggested that I use it to make a little lip for the back, as it is on the front. This would make a little catch-all space to store things that usually do not have a home on our table setup. I had just enough wood to make this happen, and it really finished off the back nicely.

Making the sideboards was the most challenging part of the process, and I had to wait till I had one completed display so that I could get the final measurements. Once cut and attached, it really finished off the entire build and proved that I was not crazy to set out to make these. 

Once the first display was completed, I did a happy dance and got back to work making the other three. Now that the first was done and all the final measurements were locked in, the construction sped up dramatically and got easier with each one. Now that they were built, I handed them off to Dear Wife, and she painted them all in a paint she picked out for them. Two coats and some drying time later, I had four great looking displays.

In the first configuation, the displays hold two prints each. This is the smallest profile and allows a little space on the top tier for self-standing items.

Configuration two has a single rear support and will display three prints. This will allow me to more cleanly show an odd number of images or leave an opening in the wall of prints so that there is a sightline to items behind the displays. This setup will go nicely with another display mirroring the configuration.

Configuration three is the standard setup and will likely be the one most used. It holds four prints and creates a wall of art, allowing people to come up and look and touch the prints of their choice. 

Configuration four combines two displays and allows for the presentation of six prints while also taking up less table space. In the future, this may come in handy as the number of prints available increases while the tablespace at events stays the same.

Configuration five flips the display around and over and allows for a slightly different arrangement. This setup enables the display to handle a larger amount of oversized items while being visually still similar to the other displays. 

I can not wait to have them out at IX next month filled with my new fine art prints. While I currently only need three displays, I went ahead and made four. You never know when an extra display will come in handy, and I am building for the future. It is likely in the coming years that I will need to make additional displays, but I will cross that bridge when I get to it.

That's all for another exciting week on the blog. See you back here on Monday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, September 22, 2021

Dungeons & Dragons - The Wild Beyond the Witchlight

The newest Dungeons & Dragons supplement, The Wild Beyond the Witchlight, was released yesterday, and I was lucky enough to have contributed a piece to it. For this book, I was asked to illustrate a goblin whose head is a caramel-covered apple named Chucklehead. Chucklehead was already designed for me, but I got to flesh the character out and breathe a little life into him. This was one of two D&D projects I was working on at the same time earlier this year. I ended up with more pieces on the other project and only one for The Wild Beyond the Witchlight. If I had known how amazing this book would be, I would have taken more on, but alas, my only contribution will be Chucklehead, and to be honest, if I was to only paint on monster for this book, I am glad it is Chucklehead. Here is a look at the final painting for Chucklehead.

Chucklehead
The Wild Beyond the Witchlight
11 x 14 - Digital
Art Director - Kate Irwin
© 2021 Wizards of the Coast LLC

As with all my D&D pieces, even though the final is digital, there is an original drawing available. A keen eye will notice some changes between the drawing being approved and the illustration being completed. I will go over those changes and why they happen in the coming weeks when I share the process and steps for this painting. I will also share all of the thumbnails and the alternate directions I wanted to take this piece. Here is the drawing for Chucklehead.

Chucklehead  - Drawing
The Wild Beyond the Witchlight
11 x 14 - Pencil on paper
Art Director - Kate Irwin
© 2021 Wizards of the Coast LLC

Lastly, here is a look at Chucklehead in the book. It printed beautifully and looks so good with the texture and patterns that they added behind him. A miniature for Chucklehead is already works and should be out sometime in October. When I get my hands on one, I will be sure to share it here!

Chucklehead in book form!

That is all of another exciting Wednesday on the blog. See you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Monday, September 20, 2021

100 Days of Dungeons & Dragons

Starting today and running for 100 consecutive days, I will be sharing one piece of Dungeons & Dragons art that I produced since 2006 when I first began working on D&D. While I am kicking things off here on the blog, my daily posts will be happening on my various social media platforms. To see the daily D&D be sure to follow me on Instagram, Twitter, Facebook, or my Facebook Page. To start things off, I am going to the very beginning with the first piece of D&D art that I was ever commissioned to create, the redesign and miniature turnaround of the Dryad.

 
Dryad Miniature Turnaround
Pencil on multiple sheets of paper
© 2006 Wizards of the Coast LLC

When I started working on this piece, I thought I was giving the Dryad an update and reworking. I had no idea that 4th Edition was happening and that I was brought in to start updating monsters for this new edition of the game. It was a fun place to start for sure, and it has been a blast ever since.

Be sure to follow me on social media to see more D&D posts over the next 99 days!

That is all for another exciting Monday on the blog. See you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, September 15, 2021

Custom Display Stands - Part 1

Had our timeline gone differently, this would have been a post from mid-2020, but alas, things are the way they are, and I am finally getting around to some things (finally) in the second half of 2021. One of these things is new custom display stands for my new fine art prints from The Grand Bazaar of Ethra VanDalia. Without beating a dead horse, for the few years leading up to 2020, I was slowly phasing out client work, and related items from my convention set up. Taking their place was works from the Grand Bazaar. At Gen Con 2019 and Pensacon 2020, I blew out nearly all of my remaining client-related stock, and at IX 2019, I debuted a prototype setup of my convention of the future, the convention of the Grand Bazaar. After an extended pause from in-person events, I am finally on the cusp of attending my first convention, IX 2021, in October. This means I am getting everything squared away and prepped for the full debut of The Grand Bazaar of Ethra VanDalia at an event. 

One of the more involved builds is the custom display stands for my new fine art prints. While I could have built a single shelf and used plastic or metal off the rack display stands or standees, I wanted something more modular, sturdy, and designed to be precisely what I needed. This has required me to work outside of my comfort zone to accomplish all of this and has taken much more time than planned. This last piece being why I have started working on them months before they are needed. I have been sketching designs for them off and on for a while now as I think about and process what I need from them and how best to accomplish this. Having worked out the design, it was now time to create a proof of concept mockup to make sure I was not crazy and that there were no aspects of my design that could use improving.

 
This half-width mockup helped me determine how tall and how deep the stands needed to be to best display to levels of prints in an attractive and easily accessible fashion.

 
In creating the mockup, I released that heights and widths all needed to be adjusted. Even after this successful build, I will be changing it even further in the final form. One of the more interesting things I realized with this mockup was that I needed a spacer for the top shelf so that the upper prints sat back a little and were not directly behind the top of the lower print. You need a little room for someone's hand to fit so that they can grab the print.

With the mockup more or less signed off on, it is now time to move forward to the final build, which will be in wood. I created one last design sketch that breaks down the display stand into its individual parts and the timber sizes and amounts I would need. Listed hardware, paint, and additional related tools and parts were also made. It was now time for the dreaded trip to the home supply store.
 
 
Figuring out the wood that I needed to get for this was one of the more stressful things I have done lately. Standard sizes for wood are a little off from what I need for my display stands. To make things easier on myself I am altering my disign in a couple of places to accomidate the standard wood widths. This means that some parts will be a inch narrower or an inch wider. In the scheme of things it should not afffect the look and usablity of this stands. It simply means I am not doing a ton of extra cutting on wood and this will hopefully mean things will be more straightforward and simpler, and a lot fewer opportunites for me to mess things up.

This is where it all stands as of this minute. I will be moving forward on the actual building of the display stands over the weekend. I am actually building more stands than I currently need because I know in the future I will need more. Since they are modular, I will also be able to get a lot more use and more flexibility with them at conventions with different setup conditions. More on all of this soon, but first, I have a bit of work to do.

That's all for another exciting Wednesday on the blog. See you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Monday, September 13, 2021

The Grand Bazaar of Ethra VanDalia Fine Art Prints - PRESALE - ENDING THIS WEEK!

As mentioned last month, I have a presale currently running on my store for all seven brand new fine art prints from the first book of The Grand Bazaar of Ethra VanDalia. The first order of the prints will arrive this week and thus ending the presale period. When they arrive, all the pricing for the prints will be increasing to the standard print price. You have until they arrive to take advantage of the presale pricing on all of my Grand Bazaar prints.

All of my Grand Bazaar prints are now available on my store.

As a reminder, these 12" x 18" fine art prints are printed on Hahnemuhle Photo Rag 308. Every print comes stamped, signed, and numbered as an edition of 100. If the samples are any indication, these are the best quality prints I have ever carried, and they look as good as the original artwork. In all seriousness, I am shocked by how good the prints look. The paper quality is outstanding, and it allows the art to look as good as it can.

That's all for another exciting Monday on the blog. See you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Friday, September 10, 2021

Trex Miniature

I am thrilled to share with you today another miniature based on my illustrations for Dungeons & Dragons. This time around, it is a prepainted miniature of Trex the Kobold from Icewind Dale Rime of the Frostmaiden. While there was a dedicated miniature set for this game expansion, this mini has been released in a subsequent miniature set. To start things off, here is my painting for the Trex.

Trex
Icewind Dale Rime of the Frostmaiden
11 x 14 - Digital
Art Director - Kate Irwin 
© 2020 Wizards of the Coast LLC

I had assumed that Trex would not get his own miniature since it was not released in the original Icewind Dale set. I was obviously surprised to see that in the fullness of time, this little Kobold got his chance to be immortalized in plastic. This is a small mini, so it is a bit chunky when you get up close to it, but it is still very faithful to my painting. While I have painted plenty of Kobolds over the years, this is the first to become a mini, and I am super excited to see it finally. Always a good day to see a new miniature based on my work. Here are some images of the official D&D Trex miniature.

Trex Miniature

 That's all for another exciting week on the blog. See you back here next week. Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, September 8, 2021

Recent Artist Proof Drawings - One More

Today I have for you a recent artist proof that I added drawings to. If you are interested in getting any of these for yourself, just follow the links to my store. This is a final card from my recent burst of artist proof commissions that slipped through the cracks and was not shared earlier here on the blog. These things happen, but it has now been set right. Enjoy!

 
The perennial favorite, the Ancient Carp

That's all for another exciting Wednesday on the blog. See you back here on Friday! Until then... 

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, September 1, 2021

Selected Recent Artist Proof Drawings - All the PORTENTS!

Today I have for you a selection of recent artist proofs that I added drawings to. If you are interested in getting any of these for yourself, just follow the links to my store. This is another selection of the many recent artist proofs I have sent out. This time around, they are all for the card, Portent. I was at the end of my available artist proofs and made an announcement about them being almost sold out... and soon after that, they were. It is always a challenge to make something like a glowing glass sphere interesting in a black and white drawing on a back of a card. At some point along the line, I started having monster grabbing, biting, and coveting the Portent, which stuck for me.

All your Portent cards for all your Portent needs.

That's all for another exciting Wednesday on the blog. See you back here on Friday! Until then... 

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com