Showing posts with label gouache. Show all posts
Showing posts with label gouache. Show all posts

Monday, October 9, 2023

The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch - The Grand Bazaar of Ethra VanDalia

I am thrilled to share more new pieces from The Grand Bazaar of Ethra VanDalia. These illustrations are for Book Two: The Completed Circle. Everything in the world of the Grand Bazaar has a story, even the plants and fungi. These three, in particular, are not native to the planet and so have found unique niches in the ecosystem of the Grand Bazaar. While I had created the second image first, it didn't get the job done, in my opinion. I took a second crack at it, and this time, I used color (yes, there is color work created in the world, just not by Ethra). Both images will appear in the book in different locations for different reasons. I present you with two versions of a collection of pants and fungi with stories: The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch.

The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch
The Grand Bazaar of Ethra Dalia - The Completed Circle
8 x 10 - Gouache,
acrylic paint, and pencil on paper
Original - SOLD
© 2023 Christopher Burdett

The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch
The Grand Bazaar of Ethra Dalia - The Completed Circle
7 x 5 - Pencil, ink, and acrylic paint on paper
Original - Available on my store
© 2023 Christopher Burdett

This is the official first color piece for the book series, but it will not be the only one in the second book. I will speak more about that on another day. Here are the sketches and linework for these two plant pieces. This was a lot of fun, a nice change up regarding the work, and a nice proof of concept with how I want to handle the color work in my world for the time being.

The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch - Sketch 
 Digital 
 © 2023 Christopher Burdett  
 
The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch - Drawing 
7 x 5 - Pencil on paper
© 2023 Christopher Burdett
 
The Killer’s Hand, Drunkard’s Light, and Innocence’s Touch - Sketch 
 Digital 
 © 2023 Christopher Burdett 

That is all for another exciting Monday on the blog. See you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, August 26, 2015

Frenzied Ghoul - Process - Call of Cthulhu: The Thousand Young

Today I have for you a process post for a recent Call of Cthulhu piece. This time around is the Frenzied Ghoul from The Thousand Young! I first shared this piece to you in February when it was first spoiled. The set has come out and now I am overdue in sharing the process. Here is how the final Frenzied Ghoul turned out...

Frenzied Ghoul
Call of Cthulhu: The Thousand Young
11 x 14 - Acrylic, pencil, and gouache on board
© 2015 Fantasy Flight Games

The Frenzied Ghoul was one of the first pieces that I completed last year after deciding to switch from digital to traditional paint. While this offered certain challenges with handling the paint and completing the assignment, the steps I took to reach the final painting remained consistent. I started off everything with a reference photo shoot and a series of thumbnails. This assignment called for a snarling blood coated Lovecraftian Ghoul (which meant it appeared as a hairless canine biped) running around in a cave, and I was ready to make that happen. Here are how the thumbnails turned out...

Frenzied Ghoul - Thumbnails
© 2015 Fantasy Flight Games

I liked all of these directions, but I liked some more then others. They would all offer a lot of fun with lighting and shadow and loads of blood. Option "A" was the winner with a couple of notes. While production liked the the in your face grabbing nature of the Ghoul there was some concern that the Ghoul read "recoiling in fear" rather than "about to eat your face". They also wanted a little more spin on the POV. All of these things were easy to address and I sent off a new thumbnail that Incorporated the revision notes...

Frenzied Ghoul - Revised thumbnail
© 2015 Fantasy Flight Games

This new thumbnail hit the mark and I was given the go ahead to move along. This of course meant it was time for me to work up a finalized drawing. Now that I am working traditionally I wanted to create my final drawings at 100% the intended size. This allowed me to become comfortable with the image at the size I would be painting it as well to insure that I was including enough detail in the drawing. In the past I have drawn larger then the final painting size and shrunk the drawing down to paint on. This allows for a nice dense drawing to work from. In contrast, I am not a fan of enlarging my drawings to then paint on. I don't like what happens with the line weight of the drawing and the density of the detail is never to my liking. This all meant I needed to start drawing larger then I typically did when working digital. Since the painting is 11x14 I am now drawing on 14x17 paper. Here is how the final drawing turned out...

Frenzied Ghoul
Call of Cthulhu: The Thousand Young
14 x 17 - Pencil on paper
© 2015 Fantasy Flight Games

The drawing was approved without comment and it was time to paint! I think this was my fourth or fifth painting last year after switching media. Not that I am still figuring some things out even today, a year ago I was very much exploring new and frightening territory. Each painting felt my my first. Here is a look at the painting coming together in all its glory...

Frenzied Ghoul - Process Progression
© 2015 Fantasy Flight Games

The photos might not give the best representation of what is actually happening on the image due to the lighting and glare, but hopefully it gives a good impression of how the image took shape.

A year ago one of the first things I would do is lay down some tonal values with marker on the mounted paper to start working up some major forms. I have since stopped doing this step. These days I just jump in with paint. You might notice a lot of pencil work once the detail begins to take shape. Up until recently I was still relying heavily on pencil in my paintings. Colored pencils are still a part of my work, there are marks I like in my work that only a pencil can provide. As my confidence with the paint has increased my reliance on the pencil to make the desired marked has lessened. The same goes with gouache, I was using a bit of gouache at the end of the paintings as a last level of detail. I no longer am using gouache in my work, I have found it an unnecessary step and can achieve the desired effects with acrylic paint and pencil.

Not sure if it is strange or expected, but I find myself working traditionally in most of the same ways I worked digitally. I lay down colors early on in a rather sloppy manor with a lot of splatter with the hopes for happy accidents. I build up the image back to front with washes getting more opaque as the details tighten. I generally work the whole image up to a certain point then focus on the background followed by the figures and foreground elements. There is of course a push and pull of the entire image as it progresses to make sure that everything is working as a whole.

Here is an animated process progression of the painting coming together to better show how the image came together. You might notice an major edit to the eye placement at the very end...

Frenzied Ghoul - Animated Process Progression
© 2015 Fantasy Flight Games

When I decided to rock a red/green palette I really didn't give it too much thought. These are the colors I would have chosen to use if I had painted this digitally, so why not make those same choices traditionally? It definitely makes the image pop! I was concerned about making the blood read as blood. Blood is a funny liquid, it rather dark and opaque and does not offer up a lot of spectacular highlight. I looked at a lot of blood to make sure I was aiming it in the right visual direction. In the end I was really happy with it.

The final painting was approved by production without comment, which was a huge relief. I am not a huge fan of revisions on a final image, but now that it is in paint I am a little more nervous about possible edits to the final image. As time has gone on, making edits to the final painting has become easier, and there is always the computer to do the heavy lifting if the changes are to major. Here again is how the final image for the Frenzied Ghoul turned out as well the final production card....

Frenzied Ghoul
Call of Cthulhu: The Thousand Young
11 x 14 - Acrylic, pencil, and gouache on board
© 2015 Fantasy Flight Games

Frenzied Ghoul in handy dandy card form - RAWR!

I have definitely learned about about painting in the last year. I look forward to sharing the pieces I am finishing now, but as always, by the time I get to share these newest pieces I will wish I could share a whole different assortment of paintings. I am sure I will have a look at more of my paint journey very soon here on the blog!

That is all for another exciting Wednesday on the blog, see you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Monday, February 23, 2015

Frenzied Ghoul - Call of Cthulhu: The Thousand Young

And so it begins! Late last week I had a new piece spoiled over on the Fantasy Flight Games website. Not just any piece, mind you, this is the first of my work to surface since I switched to working traditionally. It is a peek at things to come and the first of what I hope will be a new chapter in my career. I present to you the Frenzied Ghoul from the new Call of Cthulhu expansion, The Thousand Young...

Frenzied Ghoul
Call of Cthulhu: The Thousand Young
11 x 14 - Acrylic, pencil, and gouache on board
© 2015 Fantasy Flight Games

First, before you suggest otherwise, Ghouls in the Lovecraft universe are described as pale, mostly hairless, vaguely canine, bipeds. His universe, his rules. Second, this piece has ALL the RAWRs! Third, still trying to come to terms with just how much better they look in person compared to my digital version and what I can do about it.

I worked on this in October of last year and marked a welcome return to the Call of Cthulhu game. I have not worked on Call of Cthulhu since June of 2010... which kind of surprised me to say the least. This was a super fun piece to work on and got a lot of good input from John Tallion, who was my art director on this piece. Super happy with how it looking on the card and can not wait to see one in person. Here is how that card is going to look...

Frenzied Ghoul in handy dandy card form - RAWR!

There will be lots more about this piece when it is finally released and I share with you the process that went into it. There should be lots more news in general as more of my new traditionally painted work begins to get spoiled and released!

That is all for another exciting Monday on the blog, see you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Wednesday, January 14, 2015

Self Portrait 2: Teeth and Tongue

Today I have the second in a series of self portraits. Back in November I shared the first of these very flattering images of myself. I talked about working traditionally on Monday in my look back at 2014 and this piece is a part of that. ...in its own special, creepy, drooling kind of way. Here is the second in a series of self portraits I am working on...

Self Portrait 2: Teeth and Tongue
5 x 7 - Acrylic, pencil, and gouache on board
© 2014 Christopher Burdett
Original -  SOLD

There is a corresponding drawing to this painting, of course. As with some of my other smaller paintings the drawing is bigger then the painting. Here is the drawing for this self portrait...

Self Portrait 2: Teeth and Tongue
9 x 12
  Pencil on paper
© 2014 Christopher Burdett

I was not expecting to have this painting on my schedule anytime soon, but when a window of time opened to work on it I acted on it. I was working quickly with some starts, stops, and gaps in painting times. Because of all this I did not do a good job of documenting the piece coming together. Also, after just finishing two paintings for a client and documenting those exhaustively, I kind of didn't want to take a bunch of photos as I worked. Here a just a couple images that I took while working on this piece...

Self Portrait 2: Teeth and Tongue - Process
 All images © 2014 Christopher Burdett

That is all for another exciting Wednesday on the blog, see you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Wednesday, November 19, 2014

Self Portrait 1: Pucker Up

On Monday I shared with you a traditional painting from back in January, the Uber Grotesque, today I have for you something a little more recent. This piece was completed early October and should better show what my current traditional work looks like and how much it has changed since January. Here is the first of a series of self portraits I am working on...

Self Portrait 1: Pucker Up
5 x 7
  Acrylic, pencil, and gouache on board
© 2014 Christopher Burdett

There is a corresponding drawing to this painting, of course. As with some of my other smaller paintings the drawing is bigger then the painting. Here is the drawing for the self portrait...

Self Portrait 1: Pucker Up
9 x 12
  Pencil onpaper
© 2014 Christopher Burdett

As I am want to do I documented this painting coming together so that I could share it here on the blog. Here are a series of photos of the this painting taking shape. You can see what has changed and long the way. If you keep going till the end you will also see an little animated gif of the painting process to get a better feel for the steps...

Self Portrait 1: Pucker Up - Process
 All images © 2014 Christopher Burdett

Self Portrait 1: Pucker Up - Animated process thing
 © 2014 Christopher Burdett

That is all for another exciting Wednesday on the blog, see you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Monday, July 21, 2014

Gamorrean Guard

Today on the blog I have for you ANOTHER new traditionally painted Star wars piece! It is like I am making a habit of this or something ...as if I am practicing ...studying ...experimenting to learn, as it were. This time around it is a Gamorrean Guard and is the largest of these Star Wars studies so far. It is also my favorite so far. I present you with my Gamorrean Guard...

"Gamorrean Guard"
  8 x 8 - Acrylic, pencil, and gouache on board
Original available for sale over on my Web Store!
© 2014 Christopher Burdett

I have a new frustration ...the images, scans, and digital captures I am getting of my pieces just do not truly represent what is going on in the painting. Oh well... I could have worse problems. ...it is not like digital files loose something when they are printed out.

For this piece I started with a detail from a Star Wars drawing I did for myself last year. The Barada that started off this series of studies is also from the same drawing. I really liked how each of this monsters turned out and wanted to revisit them. Here is that drawing...

"Jabba's Gang"
11 x 14 - Pencil on toned paper
Original available for sale over on my Web Store!
© 2013 Christopher Burdett

I will say that there is something eerily similar to how these traditional pieces are now coming together compared to how my digital work comes together. Not sure if this is just a sign that I have a very ingrained work flow and habits that transcend media, or if in fact that after years of convincing myself to the contrary that I am actually painting when I work digitally. ...or both ...neither? Some elements take longer in digital while others take longer in traditional. In both there is the same feeling that I am swirling around and around on a piece and it slowly tightens up and at some point the piece just appears in front of me. Here is the Gamorrean Guard taking shape in 16 steps...

All images © 2014 Christopher Burdett

If all these separate images are not your thing, I have for you another of those handy dandy animated progressions for you so that you can just stare at different areas and see how they develop... at least that is what I like to do...

Gamorrean Guard - Process progression


That is all for another exciting Monday on the blog, see you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Monday, July 14, 2014

Jawa... UTINNI!

UTINNI! Today I have for you a new traditionally painted Star Wars piece. This time around it is a small portrait of a Jawa. As with Chief Chirpa, I wanted to work a bit smaller for this one, see how quickly I could finish it and try out some new materials on it. I present you with a very small Jawa...

"Jawa"
  4 x 4
acrylic, pencil, and gouache on board
Original - SOLD
© 2014 Christopher Burdett

As with my other Star Wars piece I have been doing for myself the initial drawing is much larger then the final painting... this time even more so. The Jawa drawing is a square on 9 x 12 paper. Since I knew it was going to end up so much smaller I decided to work a little looser and quicker on the drawing. Once it was shrunk down to 4 x 4 it really tightened up and was perfect for the painting. Here is how the drawing turned out...

Jawa - Drawing
9 x 12
Pencil on paper
© 2014 Christopher Burdett

I was working very quickly on this one, but still managed to get some images of it along the way. Here is the Jawa coming together in paint form... more or less...

All images © 2014 Christopher Burdett

Here is another handy dandy animated gif of all those images so you can look at them all at once...


Jawa - Process progression

As an added bonus, here is a little video to go with a little Jawa. This was originally posted up on Instagram (where I like to post little videos of me working and photos of my drawings while I am working on them). You can see my skills of using a pencil to... um... paint? It is still painting when I use a pencil, right?

Adding some detail at the end... RAWR!

That is all for another exciting Monday on the blog, see you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com

Wednesday, July 2, 2014

Chief Chirpa

YUB NUB! Today I have for you a new traditionally painted Star Wars piece. This time around it is a small portrait of the Ewok, Chief Chirpa. I wanted to work a bit smaller for this one, see how quickly I could finish it and try out some new materials on it. I present you with a very small Chief Chirpa...

"Chief Chirpa"
  4 x 4
acrylic, pencil, and gouache on board
Original - SOLD
© 2014 Christopher Burdett

As with my other Star Wars piece I have been doing for myself the initial drawing is much larger then the final painting... this time even more so. The Chief Chirpa drawing is on 9 x 12 paper. Since I knew it was going to end up so much smaller I decided to work a little looser and quicker on the drawing. Once it was shrunk down to 4 x 4 it really tightened up and was perfect for the painting. Here is how the drawing turned out...

Chief Chirpa - Drawing
9 x 12
Pencil on paper
© 2014 Christopher Burdett

I was working very quickly on this one, but still managed to get some images of it along the way. There is only one gap when I realized I had not taken a photo in a while... but you should still see what I was doing... or not doing. Here is Chirpa coming together in paint form...

All images © 2014 Christopher Burdett

Here is another handy dandy animated gif of all those images so you can look at them all at once...


Chief Chirpa - Process progression

That is all for another exciting Wednesday on the blog, see you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability head over to my website: www.christopherburdett.com