Monday, June 16, 2025

Hauteur Girasol Administrator - The Grand Bazaar of Ethra VanDalia

I am thrilled to share another new piece from The Grand Bazaar of Ethra VanDalia! This illustration is for Book Two: The Completed Circle and is the next character piece in the book, the Hauteur Girasol Administrator. One of the issues with retranslating a story written thousands of years in the past is that the original writings are incomplete. While I will go into more of this in the book, suffice it to say there are some holes in the story. One of the isolated sections involves a female Girasol that has come to the rescue of the heroes and has slaughtered a group of Gallionic Gallowglass that were asailing the stories' band of heroes. You may remember the Girosal from the first book when their species was nearing its end, but here, they are at their prime and a rising presence on the planet. I look forward to writing and sharing more about them. I present to you the Hauteur Girasol Administrator - and oh so many dispatched Gallionic Gallowglass.

Hauteur Girasol Administrator
The Grand Bazaar of Ethra Dalia - The Completed Circle
11 x 14 - Pencil, ink, and acrylic paint on paper
Original - Contact me if interested
© 2025 Christopher Burdett
 
Hauteur Girasol Administrator - Drawing 
11 x 14 - Pencil on paper
© 2025 Christopher Burdett
 
As much as I enjoy the large environmental pieces (just see last week!), it is nice to return to a smaller image for this piece. Due to time and production delays beyond my control, I have made the call to make the pieces in the book smaller than initially planned. This will greatly speed things up and result in more pieces from the book being at better price points. A win/win. Here is a look at the sketch and tonal study for the Hauteur Girasol Administrator to show where it began.
 
Hauteur Girasol Administrator - Sketch 
 Digital 
 © 2025 Christopher Burdett

Hauteur Girasol Administrator - Tonal study
 Digital 
 © 2025 Christopher Burdett

As a bonus, I have some images of the rendering process of this piece so that you can get a better idea of it taking shape. 

Hauteur Girasol Administrator - Process
© 2025 Christopher Burdett

That is all for another exciting Monday on the blog. See you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Friday, June 13, 2025

A Second Look at Older Work - Female Werewolf

We are only over a week away from a date that will mark twenty years for me in the gaming industry, and this is also my twenty-sixth year as a working artist. I have made a lot of work over these years, and as I focus on larger projects with multi-year timelines, it is hard to keep this blog updated regularly. I have kept this thing going since 2009, and I would like for it to continue. To that end, I thought I would look back at works I particularly liked, enjoyed making, or seemed to fall through the cracks and went unnoticed. 

Today, I have another piece for Pathfinder released for Paizo fifteen years ago. This one received a lot of attention when I originally shared it from a particular demographic, that being those that enjoy the Furry fandom. They were really excited and wanted more, but this was only one assignment and I haven't been asked to do more. So soon those fans drifted away and this piece quietly vanished over the years as I shared more and more new art. It felt fitting to dust this one off and let it see the world again.

 
Female Werewolf
Digital
Pathfinder Chronicles: Classic Horrors Revisited 
© 2010 Paizo Publishing, LLC 

As a side note, if you want to look back at the other pieces that went along with this one, they can be found here on the blog. I believe I painted these sixteen years ago, so a long, long time, and I have learned and done so very much since then. But it is fun to look back on all the same.  

That's all for another exciting week on the blog. See you back here on Monday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, June 11, 2025

Battle on the Airship - The Grand Bazaar of Ethra VanDalia

I am thrilled to share another new piece from The Grand Bazaar of Ethra VanDalia! This illustration is for Book Two: The Completed Circle and is the next chapter plate in the book, the Battle on the Airship. The heroes find themselves pursued aloft by a determined regiment of Gallionic Gallowglass that hopes to bring the heroes' airship down. Or possibly not, as the new translation points to other events entirely. What is important is how courageous and stalwart the farmhand is and how he is ready for a pitched battle with highly trained and equipped warriors. I present to you the Battle on the Airship.

Battle on the Airship
The Grand Bazaar of Ethra Dalia - The Completed Circle
13 x 17 - Pencil, ink, and acrylic paint on paper
Original - Contact me if interested
© 2025 Christopher Burdett

Battle on the Airship - Drawing 
13 x 17 - Pencil on paper
© 2025 Christopher Burdett

This illustration was meant to be smaller to save time and speed up production on the next book, but as all of the heroes are included, two airships, a regiment of dark warriors, and the skyline of the Grand Bazaar below, it needed to be larger in the end. I could have easily done this at 16x20, but in the end, I went with 13x17. Here is a look at the sketch and tonal study for the Battle on the Airship to show where it began. 

Battle on the Airship- Sketch 
 Digital 
 © 2025 Christopher Burdett

Battle on the Airship- Tonal study
 Digital 
 © 2025 Christopher Burdett
 
I try to share my reference as much as possible, but usually, the photos I use are not for public viewing. While I have no photo reference of me acting out all of the character, I do have a rare thumbnail that I created to explain the piece to my wife so that we could get the images I needed for this piece. As you can see, there is a straight line from this thumbnail to the final illustration.

 
Battle on the Airship - Thumbnail
 © 2025 Christopher Burdett 

As a bonus, I have some images of the rendering process of this piece so that you can get a better idea of it taking shape.

 
Battle on the Airship - Process
© 2025 Christopher Burdett

That is all for another exciting Wednesday on the blog. See you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Monday, June 9, 2025

Infinity Con 2025 Guest Announcement!

I am thrilled to announce that I will be returning as a guest to Infinity Con this coming July 12th and 13th in Tallahassee, FL. Infinity Con is a fantastic event, and it is always a joy to share my work with those in Tallahassee. Getting to sleep in your bed while also doing a convention is also a treat. I will bring the Grand Bazaar with me again, so you can expect books, art, enamel pins, and a lot of new art! I will have some surprises for the show as well! I will share more details when everything is ready and closer to the event. Mark your calendars, and I will see you at the Donald Tucker Civic Center in just over a month.

 
Come see me and many others at Infinity Con this July 6th and 7th!

That's all for an exciting Monday on the blog. See you back here on Wednesday. Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Monday, June 2, 2025

Traveling and Sketching - Part Two: The Bag

Last week, I shared with you some thoughts and photos of recent sketches that I did while traveling in Spain and France. While the drawings and what I drew them in are likely the most important aspects of this endeavor, if not for the bag that I carried it all, I would have nothing to show.

To start things off, the bag shown here is NOT the one I left with on the trip. Leading up to the trip, I researched, got personal testimony, and went with a bag from a company that I heard good things about. I bought a bag many weeks before our trip, stocked it, tested it around the house, and took it on our trip. That bag may have lasted 3-4 hours the first day of our journey before shredding into an unusable mess. After a few hours of use, this highly rated bag from a company that I had heard nothing but good things about was nothing but a lump of useless fabric. 

In a pinch, we ducked into a store with everything from luggage to wallets and found something better and more useful. This cross-body bag does everything that the other bag could do - and couldn't do. This new bag is what I've been looking for and served me very well on the trip, and appears to be ready for more. At a cafe, shortly after buying this new bag, I switched my belongings to it and never looked back. It is funny how I had to have the bad bag to find the good bag I was looking for. Let's have a closer look at the bag.

This cross-body bag features a long strap that can be adjusted to the preferred length and three zippered pouches on the front. Everything I was actively using went into one of these pouches.

The back of the bag features a fourth zippered pouch. This was for items I needed to carry but didn't need quick access to, for things like a cool rock I might find.
 
The smallest front porch was used for coins and a small external phone battery. The middle pouch was used for my drawing supplies. These supplies included my glasses, markers, pens, pencils, eraser, and a pencil sharpener. I usually work in greys and blacks in my sketchbook with the occasional inclusion of some white pencil. I prefer to work directly in ink as it dries quickly, is permanent, and forces me to make drawing decisions and then to stick to them. Once you make that mark in ink, it is there forever.

The large porch on the front has enough room for my sketchbook, but I could also carry my wallet, a large external battery with cables, and sunglasses. It could get a little tight in there, but this bag has enough room for everything I need to draw anywhere I might find myself. You might notice I keep a pen with the sketchbook so that I can just remove one item from the bag and be ready to start working. 

Lastly, there is a fifth secret pouch in the back of the large front pouch.

I have looked for the right sketchbook, styluses, and bag for a long time. Nothing I have had so far really hit the nail on the head until now. Will this combo work for others? Maybe, but I had to solve three problems separately while concidering the other two. Perhaps I have been too picky, or maybe I need some very specific needs met. No matter, I think I am finally there and can't wait to do more sketching in the wild.

That's all for another exciting Monday on the blog. I will be away the rest of the week, so I will see you back here next Monday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Friday, May 30, 2025

A Second Look at Older Work - Fire Lizard

This coming June will mark twenty years for me in the gaming industry, and this is also my twenty-sixth year as a working artist. I have made a lot of work over these years, and as I focus on larger projects with multi-year timelines, it is hard to keep this blog updated regularly. I have kept this thing going since 2009, and I would like for it to continue. To that end, I thought I would look back at works I particularly liked, enjoyed making, or seemed to have fallen through the cracks and went unnoticed.

Today, I have another of several pieces I did for a game that was never completed. As mentioned previously, I originally painted these in 2010, the project never saw completion, and my work was shelved due to NDAs. In 2015, I received permission to share the work I did on the game as long as I didn't talk about the specifics of the project. That was the only time I shared this work. I always liked the work I did for the game, and they always had a soft spot in my art heart for them, well, most of them. The images created would have been used as hero art for various monsters encountered in the game. I loved the photo studio quality to them, and I played around with the lighting as well.

Fire Lizard
5.35 x 7 - Digital
© 2010 Christopher Burdett

As a side note, you can see more about this monster here on the blog. This was a fun one to make and I had a ton of enjoyment working on the textures and patterning. I love working on reptiles and anphibians abd this one offered that up and then some. This was one of the first pieces that I began putting the wobbly meet ribbon down the side of my creatures. It was in the reference I was using for this one and it just clicked with me and have been a go to element ever since.

That is all for another exciting Monday on the blog. See you back here on Wednesday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Wednesday, May 28, 2025

Traveling and Sketching - Part One: The Sketchbook

In April, I shared some thoughts on sketching and the lack thereof in my life. I do not do enough scribbling on paper for the sake of scribbling, and I have been working to address this. I have been working to address it for a long time, but I may have finally cracked that nut. Maybe.

One of the times I wish I could and would sketch more is when traveling. When I am away from home, I leave behind everything that keeps me from drawing, but until recently, I haven't had a good way to facilitate sketching once I am traveling. I have tried many types of sketching media, various bags and satchels, and worked hard to build a routine while traveling to ensure I draw. And I think I may have finally figured it all out. I am sharing this not as a guide or a how-to for others, but more to show that this is a process and one that is likely extremely specific to each artist. Going into our trip to Spain and France earlier this month, I did all I could to ensure that I would draw on the trip. And it finally all came together. While I would say that likely half of the success was the bag I finally acquired, today I am focusing on the half of the solution, which is the sketchbook and my relationship with it.

I am currently using a Soho toned paper sketchbook that has an exposed binding so that it can lie flat. I have had it for a while, and it meets many of my needs. It has traveled with me to conventions and to Europe twice, and it is finally seeing some action. While I have had it for years, it has seen more use this year alone. I first took it with me to SXSW a few months ago and used it for notes and doodling. I didn't expect it to be so valuable for note taking and ended up with many, many pages of notes after the event. As mentioned in April, I took it to Record Store Day to take advantage of my time in line. And most recently, I took it on our trip, where it finally evolved into what it always needed to be for me to use it regularly. And while I will discuss how the bag I carry it in has helped later, it is how my relationship with my sketchbook has fundamentally changed, and in doing, has allowed me to use it more. So let's get to some pictures, and I will explain more.

My sketchbook has some wear and tear, which is perfect because clean and new don't scream use me. The splatter and masked area on the front is where I have attached Magic the Gathering artist proofs so that I could add art to them. This creates the phantom rectangle you see here. The green dot is a sticker I placed on my shirt when we toured Gaudí's Casa Batlló in Barcelona. The green dot and phantom regular are physical memories of things I have done, which I need to do with my sketchbook to make them more usable. I have to make them unmistakably mine. I have to fill them with not only art, but also artifacts of the journey they have been on. And doing this has been one of the single most important decisions that I have made regarding sketching. I need to collect, document, and sketch.

While I am not sharing everything I drew on our most recent trip, I am sharing the important pieces.
This was likely sketch number three from the trip and was the first I was happy with. Even though it might seem a typical sketch for me, I was consciously working against my go-to marks and shapes. This set the stage for me to start pushing what I do with the sketchbook.

Now we are in it!
Finally, after so long of wishing and planning, I finally sat down and drew what was around me on our travels. I dated the drawing and included the location so that I would remember. I have long dreamed of doing this, and it finally came about. This is not a one-to-one of what I observed, but an edited and condensed version that would fit and work better in the book. And that is entirely okay.

Simply scribbling in the sketchbook is good, but not necessarily the goal. I want to be informed by what is around me on the adventures. This creature is based on the unique lighting that you can see around Avignon, France. The light housing has a very strange shape and gives the impression that it has legs. This is definitely something that might eventually come to the Grand Bazaar.

Another drawing of the world around me. While this was begun on location, I had to complete it from memory a day or two later while on the train. I had started this at dinner, but our meal arrived much quicker than expected. I had nearly everything blocked out, and most of what I later brought to the drawing was detail and finish, which was informed by what I had observed here as well as throughout the trip. You will notice the red card to the left. That is a discarded Asterix postcard I found discarded on a pile of free books outside a bookstore. A little artifact from the adventure that is now in my book and is both a memory and a souvenir.

The final drawing I have for you today is one I did at a small bar we discovered in Paris, as the skies opened up while we were without umbrellas. The bar carried local craft beers and gave me some time to draw. But doing this sketch at a place we have good memories of, those memories are reinforced and enhanced by the memories of making this drawing and returning to look at it later. And to the left, a receipt from the bar and an artifact of the day.

Lastly, here is a photo of some random bits in my sketchbook. This spread near the end of the sketchbook has a number of things in it, and they will eventually get spread throughout the books as more pages are filled. But from left to right, you have: a flyer of music performances at SXSW, a beer sticker from a SXSW music show, a pull number for a cafe in Barcelona, the WiFi details of a hotel, a Polaroid photo from IX a few years back, and a receipt from traveling across France. Are these things important? Only to me. But they mark the journey this sketchbook has gone on with me. And through the addition of these little bits and bobs, the sketchbook takes on more of a role than simply a vessel for ink and pencil, it is a journal, a diary, a travel log for my adventure in the world. And I intend to keep this going.

I will share with you the story of my bag next week, as well as the styluses and tools I keep in the bag. 

That is all for another exciting Wednesday on the blog. See you back here on Friday! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com

Friday, May 23, 2025

Campaign Roundup - Tilmann

Today on the blog, I wanted to point out a current artist campaign that I think you all might be interested in. It features fantastic music (and more) by an incredible artist, game developer, and musician, and if you have not already checked it out, you should do so NOW!

Today I am sharing Miles Tilmann's Nova Drift Soundtrack On Vinyl And CD. Miles shares:

Nova Drift is a highly replayable, mechanically deep space brawler that helped set the stage for the roguelike/survivor movement when it entered Early Access in 2019. Haviy small development team.

It's been my honor and pleasure to soundtrack this game. Now that the audio aspect of it is complete, I'd like to bring this music more into the physical realm and give it some permanence.
The full soundtrack is 41 tracks (2+ hours) that span the genres of drum n' bass, jungle, ambient, electro and beyond. It's been in production since 2018... have a listen:

I (Miles Tilmann) have been creating music for over 30 years, and I still really enjoy it! Here is a sampling of my music outside of the Nova Drift OST:

I went to college with Miles and have been a fan of his art, music, and games for many decades. You owe it to yourself to check this out if you are a music, gaming, and art fan. The campaign offers a lot of options, and you can get other music by miles as well and even his art book!

That's all for another exciting week on the blog. See you back here next week! Until then...

For more samples of my work or to contact me regarding my availability, head over to my website: www.christopherburdett.com